Fender Special Edition Deluxe Ash Telecaster Maple Fingerboard Aged Cherry Burst Review Tpdri
Fender Deluxe Ash Telecaster (Tele) Review – 6 years of sweetness harmony between player and musical instrument
I started making music again in 2004, later a decades-long hiatus. Past the beginning of 2005: non only had I begun playing seriously again, I was actually teaching myself to record and I was expanding my musical instrument library past leaps and bounds.
My blood brother Will has been one of my strongest musical supporters, fifty-fifty from the offset fourth dimension I picked upwards a guitar at 12 years onetime. He purchased all my funky little early albums when they released, and continued his support in so many wonderful ways. I day I walked to the front porch pace and there was a big box there. He had given me a gorgeous Usa Fender with which to make music.
Thank you, Will. "Blondie" volition forever be a part of my audio. I've since used my American Deluxe Tele to tape endless pieces and even gig small venues. This musical instrument is a function of me, a part of my sound, and a function of the thrill of creating and playing music.
This review is based on more than six years of owning and playing a 2006 Fender USA Deluxe Telecaster. Believe me, my review is completely unbiased and is based on existent experience. I've played countless hours on this delightful instrument
Quick Opinion: Everything about the Deluxe Ash Telecaster is awesome. It'southward a "superlative" instrument, comparable to any custom shop or "sometime school build" Tele I've ever played.
Without blushing as well much, this instrument is the finest Fender I've played in the many decades of my feel. I'll leave the details to the review. Read on…
Playability: The neck has a silky feel that is not the aforementioned as the satin experience of the Mexico Standard Teles and the American Special Telecasters. It's difficult to describe, merely it's like a perfect balance betwixt silky smoothness and sensual touch. Information technology is almost a gloss to the eye – but doesn't take hold of the skin like gloss can (once you brainstorm to play difficult or for long periods of time). Information technology's beautiful tinted silkiness. I relish the medium-colossal frets. They're not huge, but they're not the "fretless wonder" either. They're comfortable and first-class. The neck is a 9.five″ radius. Nice!
I dearest the paw-rolled edges of the cervix. The frets were superbly dressed and in perfect status. Level, shine, no jags on the paws every bit you navigate the fretboard. What more can a guitar player want? It is an extension of my center's music – playing out into your ears through that neck. Wow.
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The torso feels like a practiced old Telecaster. Medium weight, perfectly routed on the edges (the blonde version does non take binding, another deluxe models do), and the picking arm feels right at home on top of that ol' Ash slab. Information technology's a standard Tele shape, so it is what it is, but the experience is not bad from the hand-applied finish.
I exercise like the bridge. There's a lot to similar with brass three- or six-saddle Tele bridges – but to be honest, this block-saddle bridge works great and intonates well. The bridge is non overly tall and doesn't often interact with the picking hand.
Tuning is relatively stable. My Deluxe Ash Tele has Ping-style tuners – I personally prefer the vintage Kluson-style tuners, but these piece of work actually well and stay in tune every bit much as I need them to. I think locking tuners would have been good – but to be honest, this Tele behaves in a consequent way even after hours of play. No more or less out of tune than you lot would get with Ping tuners on a saddle-bridged Tele. The new (equally of at least 2012 – don't know when it started) Fender Deluxe Ash Telecaster has staggered locking tuners on its compound radius cervix. Sounds nifty to me!
Overall, it plays similar a dream: partly because of the feel; partly because of the weight residual; partly because it just fits the torso and hands like the genius instrument it is: Simplicity and power, all at the same fourth dimension. No wonder many of the greats notwithstanding play like Telecasters.
Sound: There are many components to sound quality in an instrument. Like the Gibson LP Studio Baritone, the "sound" portion of this review deserves a little more depth than usual. I'll explain:
1) Pickups/electronics
two) Tone woods, body, cervix, bridge
3) Hand-crafting
Pickups and Electronics: The electronics are near as good as it gets without having a boutique manufacturer custom make pots, caps, jacks, switches, and wire for you. They're practiced, solid Fender, the soldering is slap-up, and the wires aren't cheap stuff. The caps are basic Fender stuff – but they make the correct audio – I left mine solitary and didn't affect whatsoever of the circuit mods from the mill.
The pickups are stellar. Nicely-wound, pretty much as noiseless as a great humbucker, and give me a satisfying Telecaster audio that can twang, spank, and can rock difficult in pretty much whatever genre I choose to play. It even sounds delightful with patently tubes in warm (not bulldoze) mode in a make clean channel or clean model on my computer interface. I've recorded extremely hard versions of Clapton-esque drive to metal to jazzy to new age to prog rock to classic stone (deplorable, I don't have country in my repertoire yet – just stay tuned! When I do noodling roofing state stuff, this guitar brings information technology on in DROVES!).
The pickups are Fender's SCN pickups on both bridge and neck (slap-up little insignia to allow you know…). They're Samarium Cobalt Noiseless pickups: and they're an crawly addition to Fenders' Vintage Noiseless, Vintage Hot Noiseless, and N3 pickups (The current crop of deluxes use the new N3 pickups… you'll accept to go an older model to get the SCNs). These totally flail downwardly the aftermarket noiseless Tele pickups – when it comes to the music I play.
The controls are: primary volume, main tone (a no-load tone control – I put these on most of my modded Fender guitars and basses – the circuit completely bypasses the tone excursion when the tone knob is turned all the style to 10).
The S1 excursion is extremely flexible and adds A LOT to the audio of this instrument. With the standard Tele 3-style switching, the S1 switch really adds an "oompfh" setting to the middle switch position. Here's a expect at what yous get:
Due south-1 Switch Downward (On):
Position ane. Bridge Pickup
Position 2. Span Pickup in Series with Neck Pickup
Position 3. Neck Pickup
Tone woods: I love ash. The other tone wood are skillful, besides, but if I can get a Fender in Ash, it makes my ears happy. The forest is excellent and actually kind of calorie-free under the blonde terminate (light as in lighter than most ash grains). The snappy maple cervix and fretboard of my Deluxe Tele is perfect for sounding "like a Telecaster." Nicest "slab" guitar in town!
Manus-crafted excellence: Wow: The electronics were done every bit though it was the last and best Telecaster on Earth. Really. Very well-done, attention to detail, and a skilful instrument made on a skillful day at a peachy mill.
Quality: I call up I've already alluded to the quality of my Deluxe Tele in the previous paragraphs, and then I'll abridge this section of this review.
My Telecaster is the best-made Fender I've ever played. Information technology's on par with my Bozeman-fabricated Gibson acoustic and my two Gibson Standards. They're truly the pinnacle of simple, playable hand-crafted art. There were zero issues with my Tele. Information technology still plays and sounds perfectly wonderful.
Value: My Fender Deluxe ash Telecaster came with a deluxe G&M USA case, just like the old stuff – just blackness tolex instead of tweed. I dearest the case. It's great for around the house and short trips to small gigs. But I like the case plenty to want to take care of information technology. I do have one other case I use (shared amidst my Fender Strats and Teles) that is the new SKB TSA-approved molded high-tech case. The newer Deluxes come with the SKB case standard and no longer offer the Thousand&G vintage-style case. In either issue, new or old, you get a great example for your crawly Telecaster.
Overall value? They were around $1300 when Will bought mine. They're now a few hundred more than that. They're worth every dime, maybe even a little more than $2k. If you lot're looking for a bargain musical instrument, don't look at customs and deluxes. But: if you want a deluxe or custom musical instrument that is a bargain in its ranks: The Fender Deluxe American Ash Telecaster is at the pinnacle of the listing: affordable so very close to a custom-shop guitar in overall execution and quality.
Features: The features. Corking! On my particular Tele, the position markers are abalone. They're a fleck fainter than blackness dots, just I like them a lot. The newer Deluxes have standard blackness dot position markers… Love apple-tomahto.
In brusk, the American Palatial Ash Telecaster earns its name as a characteristic-rich guitar:
Ash body
That "feels-like-a-g-dollars" neck
Excellent electronics and intendance-fabricated pickups
Superior woods
Flawless finish
S-1 circuitry
Excellent example
Long on features, short on price.
Purchase one. Now.
Wishes: Locking tuners. Fender already crush me to information technology.
Source: http://theguitarreview.com/2012/03/06/fendertelecasterdeluxeashreview6years/
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